Recording studios
 
Do - Don't Carefully
 
Roundffusor1 theory
 
Low frequency-Why?
 
R1's Tests
 
High - End
 
Finishes
 
Ideas & Sound
 
How to buy R1

 

 

This site is made, written and updated

by

 zainea liviu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Member of Acoustical Society of America from 1990

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This is a story on how I try to improve 

the World's interior acoustical architectural data and attitude ! 

Roundffusor1 is protected by the United States Patent Nr.: 7261182

 and the

 European Patent Nr.: 1506541

The Leading supplier of room acoustics

 

   That's why we can see that after the R1's introduction on the market, the architectural acoustics changed from straight vertical lines to curved and rounded surfaces. We have demonstrated a simpler and more effective acoustical and architectural way, covering just a fraction of the lateral wall surfaces...The sophisticated acoustical studies, are a thing from the past.  

    But some brave acousticians around the world are still ''devastating'' entire forests in order to fully cover the walls and ceiling in concert halls !  Unfortunately, the inertial use of foams, fabrics covering porous materials or fake diffusers, continues

 

 PLEASE READ THIS FIRST

 

  Why and where Roundffusor1? Using our R1 you can obtain aurally pristine natural acoustical environments for  Recording Studios , High-End rooms, City & Conference Halls, Cinema & Music Halls, Swimming pools, Listening rooms, Home theaters,  CD Mastering Rooms, Film mix and dubbing stages, Music Schools and practice rooms, Churches. The R1 is used in the Ray Kimber's IsoMike special recordings. We do the acoustical study and acoustical measurements for all situations

  The R1 brings in musical harmony your recordings/movies with your room and your brain. The R1s grouped surface reduce drastically the reverberation time (RT60) / echo in any kind of rooms. There is the R1's RT60 constant, which is 0.35-0.4 sec regardless the room volume, resulted from a 30% or less room's surface covering (the 30% is the Heinrich Kuttruff's theoretical limit of diffusion surface).

  The total room area is including floor and ceiling, so just one of your four walls is more or less covered with R1s depending on audio system parameters. Construction which uses non-parallel walls is not detrimental to the effect of the R1, but will not be needed in a room treated with R1s. Typically, for a normal room of 5L x 3.5 W x 3H meters, the total area is 86 m2 and 15 units R1 (15 x 58cm x 58cm) are just 6.4 m2, meaning less than 8% ! Optically, your room remains your initial room and not a heavy upholstered one as the concurrence propose you !  Always use the bigger and  just a single unified R1's surface you can afford, behind the speakers or upon the opposite back wall.

   As all the unique and serious ideas / products the R1 is the one and only model but has various industrial or artistically paintings

   Roundffusor1 is an active gain (~2dB) clean sound diffuser (180 - 250Hz to 20.000 Hz) & an adaptable low frequency Helmholtz resonator - highly efficient like bass trap (5 Hz to 250 Hz) at levels up to 130 dB SPL. R1's Diffusion coefficient is ~1 (the theoretical limit) ! Even after many hours of listening to or working with audio at such high levels, the R1s doesn't let you entering into the ear fatigue or headache phenomenon thus, the critical audio decisions will be correct - technically and musically

   Being an adaptable device, the diffusion / absorption parameters follows the ear's ideal spectral / loudness curves, from whispers to pain levels. The room resonances becomes musical ones. R1 was successfully tested to real helicopter recorded sound! During the test we still understood each other making amazing comments  

   R1 is 100% Occupational Safety and doesn't expose your breath to porous particles or fungus, common things in foam absorptive materials or fiberglass covered with fabrics, which might cause allergies or asthma. More, unlike foam or fiberglass the R1 will not absorb liquids, can be easily cleaned, is nearly indestructible, and will not retain odors. This makes it a cleaner, safer alternative. R1 is made from high impact polystyrene with antistatic additive, flammability rating ISO UL94 HB @ 1.6 mm

   Historically, having the R1 on the market, the idea of acoustical treatments  was never that easy and the results so sure. The level of aural sophistication is incredible. After listening a song in a R1 environment, we’ll never be able to go back to the old and obsolete absorption way, harmful for the music. This site is a complex description of what R1 is doing. Believe it or not ...'Do not give what is holy to dogs, and do not throw your pearls before swine, or they will trample them under their feet, and turn and tear you to pieces''

   R1 is the World's Most Efficient All in One Acoustical Diffuser Device and The Real Acoustical Reference of The Music Industry &  High End field. R1 is produced by ESR Acoustics and is Granted with a United States Patent and European Patent 

   Affordability? R1 costs LESS than any other acoustical material ! The obvious advantage of an invention way ahead of its time

ESR is controlling & producing a new generation

of

complete acoustical materials 

a totally new category

 Roundffusor 1  - The unique acoustical material

 

When and How does the grouped R1 work ? Why is so important to know ?

 

 

In this very hall, in Resita's City Hall / Romania was held from

21 to 24 October 2009 an International Conference „Acoustic , Vibrations”

THE SOUND WAS SO CLEAR, THAT IN A ROOM OF AROUND 280 SQUARE METERS

THEY USED NO MICROPHONES DURING THE CONFERENCE

About  200 specialized people know by now what is R1 and its amazing efficiency...

I proudly present here a sound diffuser device that surpasses all previous competitive diffusers and is ready to be installed easily in any critical listening or performance facility. It is a lightweight, thermoformed complex hard plastic device, which is self-adjusted for low and very low frequency absorption and acts as a clean diffuser for mid and high frequencies. Partners and end-users sought for commercial agreement with technical assistance or license agreement for further exploitation.

Don't forget: the sound quality that you may perceive in any room from a sound installation is more or less 60% (worst case scenario) to 40% (best case scenario) Real Room Acoustics and 40% to 60% Sound System dependent.

Bellow is a R1's presentation written by Constantine Karamanis at the Enterprise Europe Network - National Documentation Centre - Hellas.  Parts of it were enlarged by the inventor.

Description: 

Roundfusor1 is composed from a main body and two lateral drivers. These two drivers support steadily the diffuser upon the surface to be mounted: walls or ceiling. The diffuser may be used in any kind of room where the critical listening is needed.

Roundffusor1's unique advantage is that it is working simultaneously in two ways

 1. As a clean active sound diffuser for mid and high frequencies  - from around 180-250Hz to 20.000 Hz and...

 2. As an adaptable absorber for low and very low frequencies from 5 Hz to about  250 Hz, depending on R1's columns length. 

The R1 is a unique sound device, effectively working at all sound levels, from whispering to more than 130 dB SPL without being saturated.

It was successfully tested to a real helicopter recorded sound !!!

The Roundffusor1 offers a milder, wide-bandwidth (low-Q) type of absorption which is similar to the sound of a "flexible wall" bass absorber. Unlike a custom-built soft-wall, membrane, foam, or fiberglass absorber - the said ''bass traps'', the Roundffusor1 is more adaptable (by extending the column length) and movable. Because of the large surface area and the wide bandwidth of the R1's bass absorption, the resulting sound is an improvement over a very wide range of listening positions and frequencies. Subjectively, this results in a truly dramatic improvement compared to a conventional bass absorber. The fact that the Roundffusor1 does not absorb high frequencies, but diffuses them throughout the room instead, means that the spectral decay (often measured as the RT60) will stay even from the bass to the treble range.

This is possible, because being mounted in a new way works like a complex Helmholtz resonator. In real time, there is a kind of reconstruction of all music characteristics/parts diffused or absorbed or both. Even for the trained ears, there is no time to realize when and how the music is processed and the listener is just immersed in the sound without any trace of coloration. Additionally the sweet spot becomes obsolete and the consequence is that almost every person in the room senses the same sound mix.


The Roundffusor1 is relative simple as an object and can be easily mounted by anybody with simple tools. Another basic characteristic is that is easily affordable. Generally, all that is necessary as a room treatment are 9 Roundffusor1 units (or more, depending upon the application and the volume of the room). All 9 Roundffusor1 units occupy only a total area of 174x174 cm (Dimensions for each: 58 x 58 x 11 cm) from one wall and weights only about 18 kg. It may be used at any formation of at least 3 units in a row: 2X4, 2x5, 3x3, 3X4, 2X5, 2X6, 4X4, 5x4 or various combinations for one wall and ceiling.

No other room changes are required. Roundffusor1 must be mounted symmetrically towards the common loudspeaker axis plane either behind the speakers, either on the opposite wall, or on the ceiling if necessary. Each diffuser is mounted upon 2 lateral supports, and all diffusers are mounted in parallel rows, vertically or horizontally relative to the floor, if to be put on the back wall.

Why I insist so much about symmetry in the room? Like that we have a field ''ready'' for the original field of the recording, there will be minimal interferences between them. With the help from the R1's diffused field, your CDs or LP or movies will sound like the original ones, with their perfection (meaning the reality at the recording's moments and space) or imperfections. A blend of music lovers dreams with the real high fidelity. And all this, is done practically simultaneously with the incident sound, because our hearing system cannot perceive...when. This ''when'', in my opinion is the human perception's / sensorial delay. So the said...real time, is not quite real time, even for sound neither for vision... Just be happy - as me - that the R1 is...in time. About this when, read more here.

In case your room is not symmetrical or the R1 are covering half wall or less, , we have evidence that using the R1 the acoustic field is ''forced'' to symmetry, or ...the wrong stereo image becomes a wide natural well defined stereo image.

One way that our Roundffusor1 treats and solves all room acoustic problems is just this: being an adaptable low and very low frequency absorber - the simple masking and dynamic masking phenomena that exist because of low frequency overloads are reduced so much so that are not being perceived by the human ear. Self adaptable means that our device filters, from case to case, the undesirable room responses and lets your preferred music sound as it was recorded. The same object, the Roundffusor1, with a minimum area (58x58cm) and only 12 cm depth is simultaneously a powerful wide band diffuser that solves the difficult problems of room standing waves creating a diffuse sound field where no sound detail can be hidden from the listener.

It sounds simple but in fact, from a theoretical point of view is so complicated that the actual theoretical background level is not enough to fully explain the Roundffusor1 functions. Research is done by the patent holder mostly in the psychoacoustical domain, because there lays the key to its behavior and perhaps the answer.

The question that you must ask yourselves is the following: What is more important, to have a real device that works near to perfection ''independent'' from the theory or to obey the ''absolute'' theory which is not practically applicable in so many ways?  Roundffusor1 ''must'' follow the actual acoustical measurements standards or, the huge practical evolution brought by R1 have to be included into the standard's texts? Because ''cutting'' such a square device just to follow a ''circle'' rule, is not that acoustical wise....

The Roundffusor1 is the world's most efficient acoustical diffuser and self adaptable low frequency absorber, an all in one small package.

In any kind of rooms and dimensions, using an adequate number of R1, the reverberation time RT60 will be something like 0,5-0,4 sec, or less (the R1's ''constant'' if you prefer) meaning that the various types of echoes will be attenuated towards inaudibility.

Roundffusor1 may be used in all critical listening rooms including recording & TV studios, home theatres, big cinema multi-channel audio halls, quality control rooms, film mix and dubbing stages, Churches, CD mastering, music practice or normal residential rooms and also rooms for professional reviewers.
 

  Innovative Aspects:
- It works simultaneously in two ways: as a clean diffuser for mid and high frequencies and as a self controlled absorber, below 250 Hz, for low and very low frequencies
- Based mainly on psychoacoustic research
- Solves complicated problems of small and medium rooms
 

 Main Advantages:
- Outstanding performance
- Easy to mount by anyone, almost everywhere using simple home tools
- Extremely affordable

Quite simply...the world's best complete sound diffuser device

A MASTERPIECE YOU CAN AFFORD
 

Technology Keywords:
  • Telecommunications
  • Audiovisual Equipment and Communication
  • Construction Technology
  • Sound Insulation
  • Sound Engineering/Technology
  • Physics
  • Acoustics
Current Stage of Development: Already on the market
Exploitation of RTD Results: PRIVATE RESEARCH
Intellectual Property Rights:

Patents

R1 is protected by the United States Patent Nr.: 7261182 / 2007 and the European Patent Nr.: 1506541 / 2010 

Comments G10K 11/20 , E04B 1/84 until 22/05/2022. Additionally a world wide patent and PCT is pending.

Important note: The documents considered to be relevant for this invention- the Roundffusor1, were all in the ''A'' category [document defining the general state of the art which is not considered to be of particular relevance]. There are 3 older patents [1939,1957,1983 , with indications, where appropriate, of the relevant passages, also, not considered to be of particular relevance ] and a sole paper to be open from here.

This indicate the almost absolute originality of our invention. Is like ''reinventing'' the wheel. The paper is an indication of our predictions that the Roundffusor1 may be used and as Music hall’s ceiling stage reflector or generally in Music Halls because is the most efficient diffuser on the market, its diffused field being easily perceived at more than 12 meters from any angle.  

The polar plot resulting from a surface of grouped R1, is of a very wide & elongated 3D shape / lobe tending to the theoretical perfect diffusion D=1  

Organization/Company Type: Other
SME
Organization/Company Size: 1-10
Brief Market Application Codes:
  • OTHERS (Specify in Market Application Highlights)

Comments

Detailed Market Application Codes (VEIC): Keywords
  • Radio and TV broadcasting and other related equipment
  • Elementary and Secondary Music Education Colleges & Universities
  • Performing Arts Centers, Theatres
  • Rehearsal rooms of any dimensions
  • Movies, movie products and theatre operations
  • Amusement and recreational facilities
  • TVs, radio, stereo equipment and consumer electronics
  • Recording Studios - Music, records, production and instruments
  • Churches

Highlights
Recording & TV studios, home theatre installations, quality control rooms, film mix and dubbing stages, CD mastering, music practice or normal residential rooms and also rooms for professional reviewers.

Collaboration Type:
  • Joint venture agreement
  • License agreement


Comments
Target partner expertise sought: Companies related to acoustical applications (especially in studio and P.A. installations) or companies that are just interested in exploiting further the patent in national or trans-national level.

Preferred Countries for diffusion: ALL

Reaching ''terra incognita'' is the dream of any inventor...

 

 

Architectural acoustics ?

Your architect choose the Music Hall's geometry within known shapes or less known

We solve the acoustical problems !

We can also tune your existent room to subtle musical requirements

For every technology, there comes a tipping point  when adoption starts to spread like wildfire

 

My previous important projects

Room acoustics improvement or new constructions for sound recording facilities: Studios, TV, amphitheatres, music halls or dedicated rooms for listening music. One  project was Thanos Mikroutsiko's recording studio where he already finished enough professional recordings.

 The GIALINO MOUSIKO THEATRO in Athens (the Gialino Teatro's site is here), our most complex project, maybe, is the best music hall in Greece, built with the previous acoustical materials technology and very expensive.

  We design and supervise special sound insulation constructions for any industrial or naval situation.

Our bigger industrial project was a successful prototype sound insulation of machinery engine room to a 110 meters cruise ship ''Princess Danae'' and a much bigger one, a Greek military complex of 16 tank motors testing chambers. It is finished a full project heavy sound insulation, interior acoustical design and 12  KW audio array-a multipurpose hall in Sparta. 

We were invited paper at the Acoustical Society of America's Pittsburgh 2002 Poster Session: Halls for Music Performance: Another Two Decades of Experience 1982-2002. I presented ''THE GIALINO MOUSIKO THEATRO''.

In Greece, a paper about the ROUNDFFUSOR1, was presented at the first Congress of the Hellenic Institute of Acoustics (HELINA)  University of Patras, September 30, 2002. HELINA is a member of EUROPEAN ACOUSTICS ASSOCIATION (E.A.A.).

In Romania, a work about the corrected studios of the State Romanian Broadcasting Co.  was presented at the Second International Conference of Romanian Society of Acoustics on Sound and Vibration (is a member of EUROPEAN ACOUSTICS ASSOCIATION (E.A.A.),14 – 17 October 2004, Bucharest.

 

 

Economical / Acoustical announcement

 

You can pay more and obtain less acoustics

or

You can pay much less for the R1 and obtain near perfect acoustics

or

You continue to stay still

 

 

Greek language data links - independent tests, interviews

> Company Profile

> Musical acoustics - Zainea Liviu published articles in Greek

>'Hxos-Eikona'': R1's Test , here the original article

> Funny Publicity 

>AV Pro's article: R1's Test

> Radio-Link's article: R1's Test 

> Radio-Link - Zainea Liviu Interview

Company address

Mr. Zainea Liviu Nicolae / ESR,  14 Peresiadou, TK11141 Athens, Greece    

Communications data

Tel/Fax: 0030 210 20 27 191  Mobile: 0030 693 66 07 321
 
Email: liviu@zainea.com